‘He gave me a hard grip. My entire hand disappeared into his fist—he was a huge man, about six feet tall’. ‘Well, what can I do for you Mr…?’ ‘Vasu’ he said and added I knew you didn’t catch my name, Natraj is bewildered. 2/17
As the novel stretches on Vasu comes out to be somewhat of a personification of evil itself, a demonic power who plunges the world of Malgudi and that of Natraj, the humble protagonist into a tizzy. 4/17
Vasu is vicious and scheming, an anarchist who enjoys his trade as much as bullying and submitting others to his needs and wants. As the foul smell from the attic at Natraj’s press spreads across the town Malgudi seems like a cursed place. 5/17
This holds very true to the character of Vasu which was not only inspired by myth but also by a particular Taxidermy company operating out of Mysore at the time. Van Ingen & Van Ingen was a taxidermy firm built in the 20th century in the heydays of colonial hunting. 7/17
Originally, Dutch traders, the Van Ingen family migrated to the Deccan way back in the 17th century. It was however not before the early 1900s when Eugene Melville van Ingen saw a huge potential for taxidermy because of Mysore’s dense forests and rich wildlife. 8/17
It is unclear from where they learned the art of taxidermy but nonetheless, some of the family members were very skilled in it. Soon they became highly sought after among India’s Maharajas and colonial officers. 9/17
Furthermore, the snarling expression of many leopards and tigers was a trademark of the company. During its heyday from the 1930s to the late 1960s, the firm was the most significant taxidermy business in the world, beating the Ward family's 'The Jungle'. 11/17
The Wodeyar’s were great patrons of the Van Ingens, the firm also got orders from Princely states of Vizianagram, Vijaynagar, Wankaner, Manipur, and Jaipur and also had correspondence with British officers for orders all the way from New York and London. 13/17
Narayan must have come across Van Ingens enough times for them to serve as an inspiration for one of his characters. But by the time the man-eater of Malugudi came out in 1961 Van Ingen’s heydays were pretty much behind them. 14/17
The firm’s products and still very sought after, many private collections, museums, and social clubs boast of having Van Ingen Work. There are even shops across the world in Australia and Britain that specialise in selling and preserving Van Ingen Items. 16/17
Sources: deccanherald.com, frontline.thehindu.com, zebregsroell.com, Wikimedia, E.O. Hoppe Estate Collection
For anyone who is interested to know more about Sabu
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