๐ฎ๐ฑ ๐ฆ๐ฐ๐ผ๐๐๐ถ๐ป๐ด ๐ฅ๐ฒ๐ฝ๐ผ๐ฟ๐: ๐ข๐๐ฐ๐ฎ๐ฟ ๐๐น๐ผ๐๐ธ๐ต
๐๐ด ๐ข๐ญ๐ธ๐ข๐บ๐ด, ๐๐๐ด, ๐ญ๐ช๐ฌ๐ฆ๐ด, ๐ข๐ฏ๐ฅ ๐ค๐ฐ๐ฎ๐ฎ๐ฆ๐ฏ๐ต๐ด ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฃ๐ฆ ๐ข๐ฑ๐ฑ๐ณ๐ฆ๐ค๐ช๐ข๐ต๐ฆ๐ฅ.
๐๐ด ๐ข๐ญ๐ธ๐ข๐บ๐ด, ๐๐๐ด, ๐ญ๐ช๐ฌ๐ฆ๐ด, ๐ข๐ฏ๐ฅ ๐ค๐ฐ๐ฎ๐ฎ๐ฆ๐ฏ๐ต๐ด ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฃ๐ฆ ๐ข๐ฑ๐ฑ๐ณ๐ฆ๐ค๐ช๐ข๐ต๐ฆ๐ฅ.
๐ฅ ๐ง๐ต๐ฒ ๐๐๐น๐น ๐ฃ๐ฎ๐ฐ๐ธ๐ฎ๐ด๐ฒ ๐ ๐ผ๐๐ฒ
Here, he starts his play from the left half-space, looks to create a combination with an interior, shows flow in movement.
Yet, when the plan changes, he scans and finds a pocket, beautiful touch with the right, then assists with left.
Here, he starts his play from the left half-space, looks to create a combination with an interior, shows flow in movement.
Yet, when the plan changes, he scans and finds a pocket, beautiful touch with the right, then assists with left.
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