They have benevolent intentions: they get humanity into space, and through genetically engineering an underclass of animal people (yes, this includes cat girls) manage to create a quasi-socialist utopia free of danger, but life becomes sterile and meaningless for people while the
was also “the Old Strong Religion” (space Christianity). Smith included various theological themes and ideas in his work as his protagonists struggle with meaning. He intended to write more on the explicit return of Christianity to the Instrumentality, but died before he could.
Smith’s anti-communism also played a large role in his fiction. Horrified at what communism brought to China, he saw the worst aspect - not economic - but rather socially as a rejection of the role of struggle and human values to existence. His interest in psychological…
warfare came from his observations of the effectiveness of communist propaganda - he’d refer to it as “strong black magic” - and would note that “almost all of the best propagandists of almost all modern powers have been literary personalities”.
Throughout his work - most notably in “Scanners Live in Vain” - the capacity to feel pain is seen as needed for an authentic, human life, which is superior to numb detachment. Smith’s work was critical of the “pleasure revolution” - technology and social liberation to reduce pain
which was antithetical to mankind’s growth and role of dominion over the cosmos and world destroy society (and sometimes make it gay). Linebarger was in chronic pain for most of his life too, which made this more personal for him, but was still better than inhuman solutions.
*Norstrilia
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